Just what kind of a would-be summer blockbuster is this? The concept, as old as Buster Keaton's silent masterpiece "Sherlock, Jr." (or Woody Allen's more recent "The Purple Rose of Cairo"), is that a moviemad kid named Danny (Austin O'Brien), entrusted with a "magic ticket," is transported from the audience into an Arnold Schwarzenegger movie.
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Nonetheless, the Big Guy's legions of fans may be a bit baffled to find, side by side with myriad explosions, machine-gunnings and cars barreling through walls, clips from Ingmar Bergman's "The Seventh Seal," a "Hamlet" parody with Arnold as a not-so-sweet prince, Laurence Olivier jokes (delivered by his widow, Joan Plowright) and the weirdly masochistic moment when the fictional Schwarzenegger character called Jack Slater confronts the real Arnold at a movie premiere and announces: "I don't really like you. Admittedly, Columbia Pictures is not selling it as a postmodernist opus ("Quel plaisir! You haven't lived until you've seen Arnold decode his own text!"-Jacques Derrida, "Sneak Previews"). A really fun film that is affectionately mocking towards the genre.Among other things-too many other things-Arnold Schwarzenegger's Last Action Hero is the first $70 million-plus deconstructionist action movie. Downey Jr and Kilmer are both very strong and take to the material really well, bringing out plenty of energy and laughs. Never taking itself seriously is a strong point and Black's writing is sharp and funny while his direction is stylish and cool. Overall this is not a perfect film and those that don't like Black or the genre will probably not get it but it is still a lot of fun. Monaghan is sexy but has to carry a lot of the narrative Bernsen is merely a face Miller has a small turn but generally everyone is in the shadown of Kilmer, Downey and Black. The support cast are good but not as strong.
They both work really well together and their chemistry produces a real energy. Kilmer is equally as good albeit in a smaller role he is smart, tough and yet able to work well with his genre-busting character. In the rest of the film he is just as strong and is really fun. His narration is very natural and convincing and he really brings out the humour in his lines. Of course it wouldn't have worked without a cast that "got" what he was doing and fortunately his casting director got him two great leads. As director he has injected a lot of style into the film and is well supported by really cool opening credits, some wicked black humour and a strong soundtrack. What was pretty surprising was how well it all worked together. Black does well with this though and his dialogue is full of great one-liners (as I expected) but also a lot of knowing references to the genre and the clichés that he helped create (which I didn't expect). This is never done to the detriment of the narrative although some people may be disappointed that it takes precedence over traditional action (which it is quite light on). To some viewers I'm sure that it will be a bit too knowing but for me it was tremendously self-effacing fun. However what really makes the film work is the post-ironic and fun delivery throughout.
Sure it is full of holes at points and lacks some logic in the way it jumps around but it flows really well. The plot is a real strength as it updates the potboilers of the 1940's with a complex string of "unrelated" murders that build together to a relatively satisfying conclusion. But with so many bodies all at once, are the cases as separate as they first appear? Having spent a bit of time in the wilderness since his glory days, Shane Black returned to the screens properly as writer and director with an effective film that works surprisingly well in the genre he dominates while also poking fun at it. She turns to Harry for help who, in a fit of puppy love, tells her he is a private detective. Coincidentally Harry's childhood sweetheart (Harmony) has her younger sister turn up in LA before committing suicide. They leave the body and go their separate ways, but the body then turns up in Harry's bathroom and Perry realises that it is a setup. When Harry joins Perry on a stake-out to learn the job they wind up balls-deep in mystery when they recover a dead body from the trunk of a dumped car. This also involves parties, at one of which he meets "Gay" Perry, a PI who acts as an adviser on such movies.
Having stumbled into a casting session, petty thief Harry Lockhart has found himself flown to LA to try out for the lead in a major film.
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